Dictionary of National Biography, Vol. 2

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Excerpt from Dictionary of National Biography, Vol. 2: Faed-MuybridgeFarmer, emily (1826 water colour painter, was one of the three children of John Biker Farmer, of the East India Company's service, by his wife Frances Ann, daughter of William Churchill Frost. Alexander Farmer, a twin brother of her sister Frances, was an artist, he exhibited at the Royal Academy and elsewhere from 1855 to 1867, and is represented in the Victoria and. Albert Museum by two small oil paintings of genre subjects, he died on 28 March 1869. Emily Farmer was born in London on 25 July 1826. She was educated entirely at home, and received instruction in art from her brother. In early life Miss Farmer painted miniatures, but she is best known for her refined and. Well-drawn groups of children and other genre subjects. She exhibited at the Royal Academy in 1847, and again in 1849 and 1850. In 1854 she was elected a member of the New Society (now the Royal Institute) of Painters in Water Colours, and She was a frequent contributor to its exhibitions until the year of her death. She resided for more than fifty years at Portchester House, Portchester, Hampshire, where She died on 8 May 1905 She is buried, with her mother, sister, and brother, in the churchyard of St. Mary's within the castle at Portchester. The Victoria and Albert Museum has two water-colour drawings by Miss Farmer, Viz.In Doubt' and Kitty's Breakfast' Her best-known work is perhaps Deceiving Cranny, ' which was extensively reproduced. An oil portrait of Miss Farmer by her brother Alexander belongs to Miss M. A. Waller of Portchester.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully, any imperfections that remain are intentionally left to preserve the state of such historical works.