S. Hildegardis Abbatissæ Opera Omnia, Ad Optimorum Librorum Fidem Edita (Classic Reprint)

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Excerpt from S. Hildegardis Abbatissæ Opera Omnia, Ad Optimorum Librorum Fidem Edita Il. Post obitum B. Jutta), de qua ad '20 Decem bris agendum crit, S. Hildegardis, ut ipsa asserit in Vita, num. 17, perrexit de more visiones habere, easque silentio premere, douec tandem stimulis divinis excitate, de iis monaclium magistrum suum consuleret. De his in Prooemio ad Scivias sic lia bet i Sed puellari meta transacto, cum ad prtefa tam aetatem perfectae fortitudinis pervenissem, au divi vocem de coelo dicentem a Ego lux vivens et obscura, illuminans hominem quem volui, et quem mirabiliter, secundum quod mihi placuit, n excussi, in magnis mirabilibus ultra modum an n tiquorum hominum, qui in me multa secreta vi derunt pnsui. Heec omnia dicuntur de S. Iiii degarde, quam Deus ad sublimem visionum gradum provehere volebat. Ouae sequuntur de eadcm sunt, docentque, quantum Deus illam humiliaverit, ne excellentia visionum in superbiam elevaretur. Verba subdo a Sed in terram stravi illum, ut se non erigcrct in ulla clatione mcntis sum, Mundus quo quo non liabuit in eo gaudium nec delectationem, nec exercilationcm in rebus illis, qua ad ipsum pertinent, quia eum de pertinaci audacia abstraxi, timorem habentem, ct in Iaboribus suis paventem. N iizec sane obscura sunt, sed sensus est mundum pro S. Iiiidegarde nihil liabuisse de quo gauderet, quo delectaretur aut exercitaretur, quia Dei timore eratplena. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully, any imperfections that remain are intentionally left to preserve the state of such historical works.