The Art of Transition in Plato

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Excerpt from The Art of Transition in Plato: A DissertationThe method followed in the present paper is one of compromise. Without attempting an exhaustive study of the process of Platonic dialectic, of Plato's methods of sentence connection, or his use of particles, it is the purpose of this discussion to present from the Platonic dialogues adequate material for the illustration of all these methods of approach to the study of transitions. The stylistic basis of arrangement has not been adopted, but changes in transitional method due to differences in style have been noted. The first chapter contains analyses of a number of representative dialogues. In these analyses only so much of the philosophic content of the argument is given as is necessary to make intelligible the outline of the logical and artistic framework of the dialogue. The chief emphasis is placed on the indication and description of the main points of transition in the argument. The two succeeding chapters are devoted to a more minute study of Plato's methods of transition. The second chapter deals with his usage of conventional transitional formulas and includes a brief, incomplete account of Platonic transitional particles. Under the heading 'plato's literary art of transition' more unusual and artistic means of connection have been discussed. Little or no attempt at formal classification has been made. Similar transitional devices are grouped together for purposes of description. The fre quent union of several transitional elements in one passage and the difficulty of fixing hard and fast boundaries between different types of transition make any rigid classification impossible as well as useless.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully, any imperfections that remain are intentionally left to preserve the state of such historical works.